A music blog on ice. Scheduled for expiry at the end of January 2020. All content written by Tim Owen.
Dalston Sound began as a document of concert-going in north east London (see Concert Diary 2012-2013), but soon came to focus on album reviews. (In the mid 90s I was a contributor to Resonance magazine; I wrote for The Wire magazine from April 1997 until April 2000, and contributed to The Jazz Mann from 2008 until early 2012.)
The blog is currently on ice, so don’t add me to any mailing lists unless agreed in advance/on my request. Mail from any unsolicited mailing list is routinely deleted unread and flagged as spam.
Twit me @dalstonsound.